Books I have read in 2021 – part 1

In my new year resolutions in 2021, I made a resolution that I will read at least 20 books during the year. I have listed all the books I have read during the year. Below are the list of books with brief plot of the book and my review of the book. To be honest, I have not read all the books in 2020. Some of the books I started to read earlier years but remain incomplete. I had put a focus on to finish reading all these books.

 

1. One Night @ the Call Center by Chetan Bhagat

Story Summary (as written at the back cover):
In the winter of 2004, a writer met a young girl on an overnight train journey, To pass the time, she offered to tell him a story. However she had one condition: that he make it into his second book. He hesitated, but asked what the story was about.

The girl said the story was about six people working in a call center, set in one night. She said it was the night they got a phone call. A call from God.

Book Review:
This is a very interesting book by Chetan Bhagat. I like his writing style. Its plain and simple english and most of his plot is very relatable with our Asian culture. I am planning to write a detail review of the book in future.

āĻŦāĻ‡ āĻ¸āĻ‚āĻ—ā§āĻ°āĻšā§‡āĻ° āĻœāĻ¨ā§āĻ¯āĻƒ āĻ°āĻ•āĻŽāĻžāĻ°ā§€.āĻ•āĻŽ āĻ āĻĻā§‡āĻ–ā§āĻ¨āĨ¤

2. On the bank of Naf River (āĻ¨āĻžāĻĢ āĻ¨āĻĻā§€āĻ° āĻ¤ā§€āĻ°ā§‡) by Ali Ahsan

Story Summary (as written at the back cover):
āĻ¸āĻŽā§āĻ°āĻžāĻŸ āĻļāĻžāĻšāĻœāĻžāĻšāĻžāĻ¨ā§‡āĻ° āĻĒā§āĻ¤ā§āĻ° āĻ¯ā§āĻŦāĻ°āĻžāĻœ āĻļāĻžāĻš āĻ¸ā§āĻœāĻž āĻ†āĻĒāĻ¨ āĻ­āĻžāĻ‡āĻĻā§‡āĻ° āĻ•āĻžāĻ› āĻĨā§‡āĻ•ā§‡ āĻĒāĻžāĻ˛āĻŋāĻ¯āĻŧā§‡ āĻĸāĻžāĻ•āĻž āĻšāĻ¯āĻŧā§‡ āĻšāĻŸā§āĻŸāĻ—ā§āĻ°āĻžāĻŽā§‡ āĻ†āĻ¸ā§‡āĻ¨, āĻ¤āĻžāĻ°āĻĒāĻ° āĻ†āĻļā§āĻ°āĻ¯āĻŧ āĻ¨ā§‡āĻ¨ āĻœāĻ™ā§āĻ—āĻ˛ā§‡āĻ˜ā§‡āĻ°āĻž āĻ°āĻšāĻ¸ā§āĻ¯āĻŽāĻ¯āĻŧ āĻ†āĻ°āĻžāĻ•āĻžāĻ¨ā§‡āĻ° āĻŽāĻžāĻ‰āĻ•-āĻ‰ āĻ°āĻžāĻœā§āĻ¯ā§‡, āĻ¸āĻžāĻĨā§‡ āĻ¨āĻŋāĻ¯āĻŧā§‡ āĻ†āĻ¸ā§‡āĻ¨ āĻšāĻžāĻœāĻžāĻ° āĻĒāĻžāĻ˛āĻ™ā§āĻ• āĻ­āĻ°ā§āĻ¤āĻŋ āĻŽā§āĻ˛ā§āĻ¯āĻŦāĻžāĻ¨ āĻ§āĻ¨āĻ¸āĻŽā§āĻĒāĻĻāĨ¤ āĻšā§€āĻ°āĻž, āĻšā§āĻ¨ā§āĻ¨āĻŋ, āĻĒāĻžāĻ¨ā§āĻ¨āĻž, āĻ¸āĻžā§‡āĻ¨āĻž, āĻ†āĻ°āĻ“ āĻāĻŽāĻ¨ āĻ…āĻ¨ā§‡āĻ• āĻ§āĻ¨āĻ°āĻ¤ā§āĻ¨āĨ¤ āĻ¯ā§āĻŦāĻ°āĻžāĻœā§‡āĻ° āĻ¸āĻŽā§āĻĒāĻĻ āĻ¨āĻžāĻ•āĻŋ āĻ¤āĻžāĻ° āĻ¸ā§āĻ¨ā§āĻĻāĻ°ā§€ āĻ•āĻ¨ā§āĻ¯āĻžāĻ° āĻĒā§āĻ°āĻ¤āĻŋ āĻ˛āĻžā§‡āĻ­ āĻ•āĻ°āĻ˛ āĻ†āĻ°āĻžāĻ•āĻžāĻ¨ā§‡āĻ° āĻ°āĻžāĻœāĻž āĻĨā§āĻĄāĻžāĻŽā§āĻŦāĻž? āĻāĻ° āĻĒāĻ°ā§‡āĻ° āĻ˜āĻŸāĻ¨āĻž āĻ¨āĻŋāĻ¯āĻŧā§‡ āĻ‡āĻ¤āĻŋāĻšāĻžāĻ¸ā§‡ āĻ›āĻĄāĻŧāĻŋāĻ¯āĻŧā§‡ āĻ†āĻ›ā§‡ āĻ¨āĻžāĻ¨āĻžāĻ¨ āĻ—ā§āĻœāĻŦāĨ¤ āĻ…āĻ•ā§āĻ¸āĻĢā§‹āĻ°ā§āĻĄā§‡ āĻĒāĻĄāĻŧāĻžāĻļāĻžā§‡āĻ¨āĻž āĻļā§‡āĻˇ āĻ•āĻ°ā§‡ āĻĄ. āĻ¸āĻ°āĻžā§‡āĻœ āĻ¤āĻžāĻ° āĻŽā§ƒāĻ¤ā§āĻ¯ā§āĻ° āĻ†āĻ—ā§‡ āĻ•āĻŋāĻ¸ā§‡āĻ° āĻĒāĻžāĻ¨ā§āĻĄā§āĻ˛āĻŋāĻĒāĻŋ āĻ°ā§‡āĻ–ā§‡ āĻ—ā§‡āĻ˛ā§‡āĻ¨? āĻĒāĻžāĻ¨ā§āĻĄā§āĻ˛āĻŋāĻĒāĻŋāĻ° āĻĒāĻžāĻ¤āĻžāĻ¯āĻŧ āĻĒāĻžāĻ¤āĻžāĻ¯āĻŧ āĻ•āĻŋāĻ¸ā§‡āĻ° āĻ¸ā§‚āĻ¤ā§āĻ° āĻ†āĻ° āĻ‡āĻ™ā§āĻ—āĻŋāĻ¤ āĻĻāĻŋāĻ¯āĻŧā§‡ āĻ—ā§‡āĻ›ā§‡? āĻ•āĻžāĻ°āĻž āĻšā§āĻ°āĻŋ āĻ•āĻ°ā§‡āĻ›ā§‡ āĻ¸ā§‡āĻ‡ āĻĒāĻžāĻ¨ā§āĻĄā§āĻ˛āĻŋāĻĒāĻŋ? āĻ°āĻžāĻĢāĻŋāĻ¨ āĻ¨āĻžāĻŽā§‡āĻ° āĻĻā§‡āĻŦāĻĻā§‚āĻ¤ā§‡āĻ° āĻŽāĻ¤āĻžā§‡ āĻ›ā§‡āĻ˛ā§‡āĻŸāĻž āĻ•āĻŋ āĻĒāĻžāĻŦā§‡ āĻ¸ā§‡āĻ‡ āĻĒāĻžāĻ¨ā§āĻĄā§āĻ˛āĻŋāĻĒāĻŋ? āĻĒā§āĻ°āĻĢā§‡āĻ¸āĻ°, āĻĄ. āĻ¸āĻ°āĻžā§‡āĻœ, āĻšā§āĻ¸ā§‡āĻ‡āĻ¨ āĻ†āĻ˛ā§€ āĻāĻ°āĻž āĻ•āĻžāĻ°āĻž? āĻ¨āĻžāĻĢ āĻ¨āĻĻā§€āĻ° āĻ¤ā§€āĻ°ā§‡ āĻ˜ā§āĻ°āĻ¤ā§‡ āĻāĻ¸ā§‡ āĻŽāĻŋāĻ¤āĻž, āĻ¸ā§āĻŽāĻ¨ āĻ•ā§€āĻ­āĻžāĻŦā§‡ āĻāĻĻā§‡āĻ° āĻ¸āĻžāĻĨā§‡ āĻœāĻĄāĻŧāĻŋāĻ¯āĻŧā§‡ āĻ—ā§‡āĻ˛? āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļā§‡āĻ° āĻĒā§āĻ°āĻ¤ā§āĻ¨āĻ¤āĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻŦāĻŋāĻ­āĻžāĻ—ā§‡āĻ° āĻ•āĻžāĻšā§‡āĻ° āĻ¸āĻžāĻšā§‡āĻŦ āĻ•ā§€āĻ­āĻžāĻŦā§‡ āĻœāĻĄāĻŧāĻŋāĻ¤ āĻāĻĻā§‡āĻ° āĻ¸āĻžāĻĨā§‡? āĻ•āĻžāĻ¨āĻž āĻ°āĻžāĻœāĻžāĻ° āĻ—ā§āĻšāĻžāĻ¯āĻŧ āĻ•ā§€ āĻ†āĻ›ā§‡? āĻ¸āĻŽāĻ¸ā§āĻ¤ āĻ˜āĻŸāĻ¨āĻž āĻ§ā§€āĻ°ā§‡ āĻ§ā§€āĻ°ā§‡ āĻœāĻŽā§‡ āĻ‰āĻ āĻ›ā§‡ āĻ¨āĻžāĻĢ āĻ¨āĻĻā§€āĻ° āĻ¤ā§€āĻ°ā§‡āĨ¤ āĻ•āĻŋ āĻ˜āĻŸāĻ›ā§‡ āĻ¸ā§‡āĻ–āĻžāĻ¨ā§‡? āĻļāĻžāĻš āĻ¸ā§āĻœāĻžāĻ° āĻĢā§‡āĻ˛ā§‡ āĻ¯āĻžāĻ“āĻ¯āĻŧāĻž āĻ§āĻ¨āĻ°āĻ¤ā§āĻ¨ā§‡āĻ° āĻ¸āĻ¨ā§āĻ§āĻžāĻ¨ āĻ¨āĻžāĻ•āĻŋ āĻāĻŸāĻžāĻ•ā§‡ āĻ˜āĻŋāĻ°ā§‡ āĻ…āĻ¨ā§āĻ¯ āĻ•ā§‹āĻ¨āĻ“ āĻ¨āĻ¤ā§āĻ¨ āĻ‡āĻ¤āĻŋāĻšāĻžāĻ¸ āĻ˜āĻŸāĻ›ā§‡ āĻ¨āĻžāĻĢ āĻ¨āĻĻā§€āĻ° āĻ¤ā§€āĻ°ā§‡?

āĻŦāĻ‡ āĻ¸āĻ‚āĻ—ā§āĻ°āĻšā§‡āĻ° āĻœāĻ¨ā§āĻ¯āĻƒ āĻ°āĻ•āĻŽāĻžāĻ°ā§€.āĻ•āĻŽ āĻ āĻĻā§‡āĻ–ā§āĻ¨āĨ¤

(Translation:)

Yuvraj Shah Shuja, the son of Emperor Shah Jahan, fled from his brothers to Dhaka and came to Chittagong, then took refuge in the forested mysterious kingdom of Mauk-U in Arakan, bringing with him a treasure trove of thousands of couches. Did Thudamba, the king of Arakan, love the wealth of the prince or his beautiful daughter? There are various rumors in history about the events that followed. What manuscript did Dr. Shoroj, who finished his studies at Oxford, leave before his death? What is the source and hint of the pages of the manuscript? Who stole the manuscript? Will the angel looking young boy Rafin get the manuscript? Professor, Dr. Saraj, Hussain Ali, who are they? How did Mita and Sumon get involved with them when they came to visit Naf river? How is Mr. Kaher of the Archaeological Department of Bangladesh involved with them? What is in the cave of the blind king? All events are slowly gathering on the banks of the Naf River. What’s going on there? Is the search for the treasure left by Shah Suja or any other new history happening around it on the banks of Naf river?

Book Review:
I have written review of the books as sperate post. Kindly read there.

 

3. Moronottom by Sadat Hossain

Story Summary (as written at the back cover):
āĻĒā§āĻ°ā§‡āĻ¸āĻ•ā§āĻ˛āĻžāĻŦā§‡āĻ° āĻ¸āĻžāĻŽāĻ¨ā§‡ āĻ­āĻŋā§œ āĻŦāĻžā§œāĻ¤ā§‡ āĻŦāĻžā§œāĻ¤ā§‡ āĻšāĻ˛ā§‡ āĻāĻ¸ā§‡āĻ›ā§‡ āĻ°āĻžāĻ¸ā§āĻ¤āĻž āĻ…āĻŦāĻ§āĻŋāĨ¤ āĻ…āĻĢāĻŋāĻ¸āĻĢā§‡āĻ°āĻ¤ āĻŦāĻžāĻ¸āĻ¯āĻžāĻ¤ā§āĻ°ā§€āĻĻā§‡āĻ° āĻŦāĻžāĻ¸āĻ—ā§āĻ˛ā§‹ āĻ†āĻŸāĻ•ā§‡ āĻĒā§œā§‡āĻ›ā§‡āĨ¤ āĻĢāĻ˛ā§‡ āĻ°āĻžāĻ¸ā§āĻ¤āĻžāĻ° āĻœā§āĻ¯āĻžāĻŽ āĻ•ā§āĻ°āĻŽāĻļ āĻĻā§€āĻ°ā§āĻ˜ āĻĨā§‡āĻ•ā§‡ āĻĻā§€āĻ°ā§āĻ˜āĻ¤āĻ° āĻšāĻšā§āĻšā§‡āĨ¤ āĻ•ā§ŒāĻ¤ā§āĻšāĻ˛ā§€ āĻŽāĻžāĻ¨ā§āĻˇ āĻ¤āĻžāĻĻā§‡āĻ° āĻœāĻ°ā§āĻ°ā§€ āĻ•āĻžāĻœ āĻĢā§‡āĻ˛ā§‡ āĻ­āĻŋā§œā§‡āĻ° āĻĒā§‡āĻ›āĻ˛ā§‡ āĻāĻ¸ā§‡ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡āĻ›ā§‡āĨ¤ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻĒāĻŋāĻ›āĻ¨ āĻĨā§‡āĻ•ā§‡ āĻ¸āĻžāĻŽāĻ¨ā§‡āĻ° āĻ˜āĻŸāĻ¨āĻžāĻ° āĻ•āĻŋāĻ›ā§āĻ‡ āĻĻā§‡āĻ–āĻž āĻ¯āĻžāĻšā§āĻ›ā§‡ āĻ¨āĻžāĨ¤ āĻ—āĻ˛ā§‡ āĻ•ā§‡āĻ‰ āĻ•ā§‡āĻ‰ āĻ‰āĻ ā§‡ āĻ—ā§‡āĻ›ā§‡ āĻ“āĻ­āĻžāĻ°āĻŦā§āĻ°āĻŋāĻœā§‡āĻ° āĻ“āĻĒāĻ°ā§‡āĨ¤ āĻĻā§-āĻāĻ•ā§āĻœāĻ¨ āĻ¤āĻ°āĻ¤āĻ° āĻ•āĻ°ā§‡ āĻ°ā§‡āĻ‡āĻ¨ā§āĻŸā§āĻ°āĻŋ āĻ—āĻžāĻ›ā§‡āĻ° āĻĄāĻžāĻ˛ āĻŦā§‡ā§Ÿā§‡ āĻ‰āĻ ā§‡ āĻ—ā§‡āĻ›ā§‡āĨ¤ āĻ†āĻļā§‡āĻĒāĻžāĻļā§‡āĻ° āĻŦāĻžāĻ¸āĻž, āĻ…āĻĢāĻŋāĻ¸ā§‡āĻ° āĻ›āĻžāĻĻā§‡āĻ“ āĻ‰ā§ŽāĻ¸ā§āĻ• āĻŽāĻžāĻ¨ā§āĻˇā§‡āĻ° āĻ­āĻŋā§œ āĻ˛āĻ•ā§āĻˇ āĻ•āĻ°āĻž āĻ¯āĻžāĻšā§āĻ›ā§‡āĨ¤ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ˜āĻŸāĻ¨āĻž āĻ•āĻŋ?

āĻ˜āĻŸāĻ¨āĻž āĻšāĻ˛ āĻ­āĻŋā§œā§‡āĻ° āĻŽāĻžāĻāĻ–āĻžāĻ¨ā§‡ āĻĻāĻžāĻā§œāĻžāĻ¨ā§‹ āĻļā§€āĻ°ā§āĻ¨āĻ•āĻžā§Ÿ āĻŽāĻžāĻ¨ā§āĻˇāĻŸāĻžāĨ¤ āĻ¤āĻžāĻāĻ° āĻ¨āĻžāĻŽ āĻ†āĻœāĻŋāĻœ āĻŽāĻžāĻˇā§āĻŸāĻžāĻ°āĨ¤ āĻ†āĻœāĻŋāĻœ āĻŽāĻžāĻˇā§āĻŸāĻžāĻ° āĻ—āĻžā§Ÿā§‡ āĻ•ā§‡āĻ°ā§‹āĻ¸āĻŋāĻ¨ āĻĸā§‡āĻ˛ā§‡ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡ āĻ†āĻ›ā§‡āĻ¨ āĻĒā§āĻ°ā§‡āĻ¸āĻ•ā§āĻ˛āĻžāĻŦā§‡āĻ° āĻ¸āĻžāĻŽāĻ¨ā§‡āĨ¤ āĻ¤āĻžāĻāĻ° āĻŦāĻžāĻ āĻšāĻžāĻ¤ā§‡ āĻ§āĻ°āĻž āĻāĻ•āĻ–āĻžāĻ¨āĻŋ āĻŽāĻļāĻžāĻ˛āĨ¤ āĻ†āĻ° āĻ•āĻŋāĻ›ā§āĻ•ā§āĻˇāĻŖā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡āĻ‡ āĻ¤āĻŋāĻ¨āĻŋ āĻ¸ā§‡āĻ‡ āĻŽāĻļāĻžāĻ˛ āĻĨā§‡āĻ•ā§‡ āĻ—āĻžā§Ÿā§‡ āĻ†āĻ—ā§āĻ¨ āĻ§āĻ°āĻžāĻŦā§‡āĻ¨āĨ¤ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻāĻ•āĻŸā§ āĻĻā§‡āĻ°ā§€ āĻ•āĻ°āĻ›ā§‡āĻ¨āĨ¤ āĻ•āĻžāĻ°āĻ¨ āĻ¤āĻžāĻāĻ° āĻ—āĻ˛āĻžā§Ÿ āĻāĻ•āĻ–āĻžāĻ¨ā§‡ āĻ›ā§‹āĻŸ āĻŦā§āĻ˛ā§āĻ¯āĻžāĻ•āĻŦā§‹āĻ°ā§āĻĄ āĻā§‹āĻ˛āĻžāĻ¨ā§‹āĨ¤ āĻ¸ā§‡āĻ‡ āĻŦā§āĻ˛ā§āĻ¯āĻžāĻ•āĻŦā§‹āĻ°ā§āĻĄā§‡ āĻšāĻ• āĻ˜āĻˇā§‡ āĻ¸ā§āĻĒāĻˇā§āĻŸ āĻŦā§œ āĻŦā§œ āĻ…āĻ•ā§āĻˇāĻ°ā§‡ āĻ˛ā§‡āĻ–āĻž, ‘āĻ†āĻŽāĻŋāĻ‡ āĻ•ā§‹āĻšāĻŋāĻ¨ā§āĻ°ā§‡āĻ° āĻŦāĻžāĻŦāĻž…‘āĨ¤

āĻŦāĻ‡ āĻ¸āĻ‚āĻ—ā§āĻ°āĻšā§‡āĻ° āĻœāĻ¨ā§āĻ¯āĻƒ āĻ°āĻ•āĻŽāĻžāĻ°ā§€.āĻ•āĻŽ āĻ āĻĻā§‡āĻ–ā§āĻ¨āĨ¤

(Translation:)

The crowd in front of the press club has increased to the road. The buses of the passengers returning from the office are stuck. As a result, the traffic in the road is getting longer and longer. Curious people have left their urgent work behind the crowd. But nothing can be seen from the back what is happening at the front. Some people have climbed over the over bridge. Two or three people hurriedly climbed the branches of the raintree tree. Crowds of curious people can be seen on the roofs of nearby houses and offices. But what happened?

The incident took place in the middle of the crowd. His name is Aziz Master. Aziz Master is standing in front of the press club pouring kerosene on his body. A torch in his left hand. In a little while he will catch fire on his body from that torch. But he is delaying it a little. A small blackboard is hanging around his neck. On that blackboard, it is clearly written by rubbing chalk in big letters, ‘I am the father of Kohinoor …’.

Book Review:
I have written review of the books as sperate post. You may read the review in here (Click for link).

4. The Code of Hammurabi (Translated by Md. Nuruzzaman Khan)

About the book:
Code of Hammurabi, the most complete and perfect extant collection of Babylonian laws, developed during the reign of Hammurabi (1792–1750 BCE) of the 1st dynasty of Babylon. It consists of his legal decisions that were collected toward the end of his reign and inscribed on a diorite stela set up in Babylon’s temple of Marduk, the national god of Babylonia. These 282 section of laws include economic provisions (prices, tariffs, trade, and commerce), family law (marriage and divorce), as well as criminal law (assault, theft) and civil law (slavery, debt). Penalties varied according to the status of the offenders and the circumstances of the offenses.

The background of the code is a body of Sumerian law under which civilized communities had lived for many centuries. The existing text is in the Akkadian (Semitic) language, but, even though no Sumerian version is known to survive, the code was meant to be applied to a wider realm than any single country and to integrate Semitic and Sumerian traditions and peoples. Moreover, despite a few primitive survivals relating to family solidarity, district responsibility, trial by ordeal, and the lex talionis (i.e., an eye for an eye, a tooth for a tooth), the code was advanced far beyond tribal custom and recognized no blood feud, private retribution, or marriage by capture. (Souce of information: Britannica)

Code of Hammurabi has been translated by Mr. Mr. Nuruzzaman Khan for ease of the readers.

Book Review:
Code of Hamurabbi is an excellent book to have glimpse of lifestyles of at the time of King Hamurabbi. I strongly recommend to make some time to read these codes.

āĻŦāĻ‡ āĻ¸āĻ‚āĻ—ā§āĻ°āĻšā§‡āĻ° āĻœāĻ¨ā§āĻ¯āĻƒ āĻ°āĻ•āĻŽāĻžāĻ°ā§€.āĻ•āĻŽ āĻ āĻĻā§‡āĻ–ā§āĻ¨āĨ¤

5. Juktira Ure Geche (āĻ¯ā§āĻ•ā§āĻ¤āĻŋāĻ°āĻž āĻ‰ā§œā§‡ āĻ—ā§‡āĻ›ā§‡) by Adnin Kuasha

Story Summary (as written at the back cover):
āĻŦāĻžāĻ°āĻžāĻ¨ā§āĻĻāĻžā§Ÿ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡ āĻ°ā§‹āĻĻā§‡āĻ˛āĻž āĻ…āĻ¨ā§‡āĻ•ā§āĻˇāĻ¨ āĻ§āĻ°ā§‡ āĻāĻ•āĻŸāĻž āĻŦāĻŋā§œāĻžāĻ˛ā§‡āĻ° āĻĻāĻŋāĻ•ā§‡ āĻ¤āĻžāĻ•āĻŋā§Ÿā§‡ āĻ†āĻ›ā§‡āĨ¤ āĻŦāĻŋā§œāĻžāĻ˛āĻŸāĻž āĻ•āĻžāĻ°ā§āĻ¨āĻŋāĻļā§‡āĻ° āĻāĻ•āĻĻāĻŽ āĻ•ā§‹āĻ¨āĻžā§Ÿ āĻāĻŽāĻ¨ āĻ­āĻžāĻŦā§‡ āĻŦāĻ¸ā§‡ āĻ¤āĻžāĻ° āĻĻāĻŋāĻ•ā§‡ āĻ¤āĻžāĻ•āĻŋā§Ÿā§‡ āĻ†āĻ›ā§‡ āĻ¯ā§‡āĻ¨ āĻāĻ–āĻ¨āĻ‡ āĻ˛āĻžāĻĢ āĻŽā§‡āĻ°ā§‡ āĻ¤āĻžāĻ° āĻ‰āĻĒāĻ° āĻšāĻžāĻŽāĻ˛ā§‡ āĻĒā§œāĻŦā§‡āĨ¤ āĻ°ā§‹āĻĻā§‡āĻ˛āĻžāĻ° āĻāĻ•āĻŸā§ āĻāĻ•āĻŸā§ āĻ­ā§Ÿ āĻ˛āĻžāĻ—āĻ›ā§‡ āĻ†āĻ° āĻ¤āĻ–āĻ¨āĻ‡ āĻŦāĻŋā§œāĻžāĻ˛āĻŸāĻž āĻ…āĻŦāĻŋāĻ•āĻ˛ āĻŽāĻžāĻ¨ā§āĻˇā§‡āĻ° āĻŽāĻ¤ā§‹ āĻ—āĻ˛āĻžā§Ÿ āĻŦāĻ˛āĻ˛ “āĻāĻ• āĻ­ā§ŸāĻ™ā§āĻ•āĻ° āĻ…āĻļāĻ¨āĻŋ āĻ¸āĻ‚āĻ•ā§‡āĻ¤ āĻ¤ā§‹āĻŽāĻžāĻ° āĻ¸āĻŽā§Ÿ āĻļā§‡āĻˇ āĻ•āĻ°ā§‡ āĻĻāĻŋāĻšā§āĻ›ā§‡, āĻ¤ā§āĻŽāĻŋ āĻŽā§ƒāĻ¤ā§āĻ¯ā§āĻ° āĻĒāĻĨā§‡ āĻ°āĻ“āĻ¨āĻž āĻ•āĻ°ā§‡āĻ›ā§‹”āĨ¤ āĻ°ā§‹āĻĻā§‡āĻ˛āĻžāĻ° āĻ¸āĻŽāĻ¸ā§āĻ¤ āĻļāĻ°ā§€āĻ° āĻŦāĻ°āĻĢā§‡āĻ° āĻŽāĻ¤ā§‹ āĻ āĻžāĻ¨ā§āĻĄāĻž āĻšā§Ÿā§‡ āĻ—ā§‡āĻ˛ āĻ†āĻ° āĻ āĻŋāĻ• āĻ¸ā§‡āĻ‡ āĻŽā§‚āĻšā§āĻ°ā§āĻ¤ā§‡ āĻ°āĻŋā§ŸāĻžāĻ° āĻšāĻŋā§ŽāĻ•āĻžāĻ°ā§‡ āĻĒā§āĻ°ā§‹ āĻŦāĻžā§œāĻŋ āĻ¯ā§‡āĻ¨ āĻāĻ¨āĻāĻ¨āĻŋā§Ÿā§‡ āĻ‰āĻ āĻ˛āĨ¤ āĻ°āĻŋā§ŸāĻž āĻ¤āĻžāĻ° āĻāĻ•āĻŽāĻžāĻ¤ā§āĻ° āĻ•āĻ¨ā§āĻ¯āĻž āĻ°ā§‹āĻĻā§‡āĻ˛āĻžāĻ° āĻ˜āĻ°ā§‡ āĻĢā§āĻ˛āĻĻāĻžāĻ¨āĻŋāĻ¤ā§‡ āĻĢā§āĻ˛ āĻ¸āĻžāĻœāĻžāĻ¤ā§‡ āĻ—āĻŋā§Ÿā§‡ āĻ¤āĻžāĻ° āĻ­āĻŋāĻ¤āĻ°ā§‡ āĻ…āĻĻā§āĻ­ā§āĻ¤ āĻ¸āĻŦ āĻœāĻŋāĻ¨āĻŋāĻ¸āĻ—ā§āĻ˛ā§‹āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻāĻ•āĻŸāĻŋ āĻ•āĻžāĻ˛ā§‹ āĻ•āĻžāĻ—āĻœā§‡ āĻ¸āĻžāĻĻāĻž āĻšā§āĻ¨ āĻĻāĻŋā§Ÿā§‡ āĻĒā§āĻ¤ā§āĻ˛ āĻ†āĻāĻ•āĻž āĻ¸āĻžāĻĨā§‡ āĻ…āĻĻā§āĻ­ā§āĻ¤ āĻ­āĻžāĻˇāĻžā§Ÿ āĻ—ā§‹āĻ˛ āĻ¸āĻžāĻ°ā§āĻ•ā§‡āĻ˛ā§‡ āĻ•ā§€-āĻ¸āĻŦ āĻ¯ā§‡āĻ¨ āĻ˛ā§‡āĻ–āĻž āĻāĻ•āĻŸāĻŋ āĻ•āĻžāĻ—āĻœ āĻĒā§‡āĻ˛āĨ¤ āĻ°ā§‹āĻĻā§‡āĻ˛āĻž āĻ˜āĻ°ā§‡ āĻĸā§āĻ•ā§‡ āĻ¤āĻžāĻ° āĻŽāĻžā§Ÿā§‡āĻ° āĻĻāĻŋāĻ•ā§‡ āĻ…āĻ¸āĻšāĻžā§Ÿ āĻšā§‹āĻ–ā§‡ āĻ¤āĻžāĻ•āĻŋā§Ÿā§‡ āĻĨāĻžāĻ•āĻ˛āĨ¤ āĻāĻĻāĻŋāĻ•ā§‡ āĻ…āĻĒā§‡āĻ•ā§āĻˇāĻž āĻœāĻ—āĻ¤ā§‡āĻ° āĻ¸āĻŦāĻšāĻžāĻ‡āĻ¤ā§‡ āĻ¯ā§ŒāĻ•ā§āĻ¤āĻŋāĻ• āĻāĻ•āĻ¤āĻž āĻļāĻŦā§āĻĻā§‡āĻ° āĻ¨āĻžāĻŽ āĻšāĻ“ā§ŸāĻžāĻ° āĻĒāĻ°āĻ“ āĻ°āĻžāĻ¤ā§āĻ°āĻŋāĻ° āĻāĻ•āĻŸāĻž āĻ…āĻ¸ā§āĻŦāĻžāĻ­āĻžāĻŦāĻŋāĻ• āĻ…āĻĒā§‡āĻ•ā§āĻˇāĻžāĻ° āĻ—āĻ˛ā§āĻĒ āĻ†āĻ›ā§‡āĨ¤ āĻ¸ā§‡āĻ‡ āĻ…āĻĒā§‡āĻ•ā§āĻˇāĻžāĻ° āĻ•ā§‹āĻ¨ āĻ¯ā§āĻ•ā§āĻ¤āĻŋ āĻ†āĻœ āĻĒāĻ°ā§āĻ¯āĻ¨ā§āĻ¤ āĻ¸ā§‡ āĻ–ā§āĻāĻœā§‡ āĻĒāĻžā§ŸāĻ¨āĻŋāĨ¤ āĻ•āĻžāĻ°āĻ¨ āĻ¸ā§‡ āĻ¯āĻžāĻ° āĻ…āĻĒā§‡āĻ•ā§āĻˇāĻžā§Ÿ āĻ†āĻ›ā§‡ āĻ¸ā§‡āĻ¤āĻž āĻāĻ•āĻŸāĻž āĻ›āĻžā§ŸāĻžāĻŽā§‚āĻ°ā§āĻ¤āĻŋāĻ°āĨ¤ āĻ¯ā§‡ āĻ›āĻžā§ŸāĻžāĻŽā§‚āĻ°ā§āĻ¤āĻŋ āĻ­ā§ŸāĻžāĻŦāĻš āĻŦāĻžāĻ°ā§āĻ¤āĻž āĻ¨āĻŋā§Ÿā§‡ āĻ†āĻ¸ā§‡āĨ¤ āĻ¸ā§‡ āĻŦāĻžāĻ°ā§āĻ¤āĻž āĻ¯ā§‡ āĻ­ā§€āĻˇāĻ¨ āĻ…āĻ¨āĻžāĻ•āĻžāĻ™ā§āĻ•ā§āĻˇāĻŋāĻ¤āĨ¤ āĻāĻ‡ āĻ›āĻžā§ŸāĻžāĻŽā§‚āĻ°ā§āĻ¤āĻŋāĻ°Â  āĻ°āĻžāĻ¤ā§āĻ°āĻŋāĻ° āĻœā§€āĻŦāĻ¨ā§‡ āĻāĻ¤ā§‹āĻ¤āĻžāĻ‡ āĻ…āĻ¨āĻžāĻšā§āĻ¤ āĻ¯āĻžāĻ° āĻ•ā§‹āĻ¨ āĻ¸āĻ āĻŋāĻ• āĻ¯ā§āĻ•ā§āĻ¤āĻŋ āĻ¨ā§‡āĻ‡, āĻ•āĻžāĻ°āĻ¨ āĻāĻ–āĻžāĻ¨ā§‡ āĻ¯ā§‡ āĻ¸āĻ¤ā§āĻ¯āĻŋāĻ‡ āĻ¯ā§āĻ•ā§āĻ¤āĻŋāĻ°āĻž āĻ‰ā§œā§‡ āĻ—ā§‡āĻ›ā§‡āĨ¤

Book Review:
āĻāĻ‡ āĻŦāĻ‡āĻŸāĻŋ āĻ•āĻŋāĻ›ā§ āĻ­ā§ŒāĻ¤āĻŋāĻ• āĻ—āĻ˛ā§āĻĒā§‡āĻ° āĻ¸āĻ™ā§āĻ•āĻ˛āĻ¨āĨ¤ āĻ¨āĻŦā§€āĻ¨ āĻ˛ā§‡āĻ–āĻ• āĻšāĻŋāĻ¸ā§‡āĻŦā§‡ āĻ˛ā§‡āĻ–āĻž āĻ–āĻžāĻ°āĻžāĻĒ āĻ¨āĻžāĨ¤ āĻ¤āĻŦā§‡ āĻ—āĻ˛ā§āĻĒāĻ—ā§āĻ˛ā§‹ āĻ…āĻ¨ā§āĻ¯āĻžāĻ¨ā§āĻ¯ āĻ­ā§ŒāĻ¤āĻŋāĻ• āĻ—āĻ˛ā§āĻĒā§‡āĻ° āĻŽāĻ¤ āĻ–ā§āĻŦ āĻāĻ•āĻŸāĻž āĻ­ā§€āĻ¤āĻŋāĻ•āĻ° āĻ¨ā§ŸāĨ¤ āĻ†āĻŽāĻŋ āĻŦāĻ‡āĻŸāĻŋāĻ•ā§‡ āĻĻāĻļā§‡ āĻĒāĻžāĻāĻš āĻĻā§‡āĻŦāĨ¤

āĻŦāĻ‡ āĻ¸āĻ‚āĻ—ā§āĻ°āĻšā§‡āĻ° āĻœāĻ¨ā§āĻ¯āĻƒ āĻ°āĻ•āĻŽāĻžāĻ°ā§€.āĻ•āĻŽ āĻ āĻĻā§‡āĻ–ā§āĻ¨āĨ¤

I am reading few others. Will include them in the next installment.

One Reply to “Books I have read in 2021 – part 1”

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